Collecting Digital Art: Historic Collections on the Tezos Blockchain. Part1. by Aleksandra Art

Digital art, also known as new media art, has been a growing part of museums and contemporary art scenes since the 1960s. With the advancement of Blockchain technology, the emergence of NFT platforms allowed the commercialization of digital art at scale by providing a way to establish ownership and authenticity, allowing artists to sell their digital creations as unique assets.

Following the launch of Tezos’ first marketplace the hic et nunc in March 2021, some of the world's most prominent digital creators expressed a surge of interest in releasing art on the Tezos blockchain, many releasing NFTs for the first time. Since then, the ecosystem became home to new platforms such as objkt.com, teia, fx(hash) or emergent properties, and thousands of artists, collectors and curators.

magdorm, by @p1xelfool & @Nicolas_Sassoon, Minted May 24, 2021

At the same time, artist residencies, festivals and embrace of Tezos by traditional institutions such as MoMA, Serpentine, Musée d'Orsay, Museum of Moving Image and many others were supported to facilitate broader adoption, provide opportunities for creators and raise the cultural significance of the works.

Display of ‘b a r b i e ~ w o r l d ~ b r e a k d o w n’ by @sabatobox at Museum of Moving Image, NYC

Three years passed by, and the demand for iconic collections from the 'historic' early period is rising from individual collectors, art funds, and collector DAOs. In a series of episodes, I'll highlight (in no particular order) the collector's choice selection of artists' series.


Zancan

Lushtemples — Highlights of the Hike Garden, Monoliths  #156, by @zancan, Minted throughout 2021

Michael Zancan is a generative artist and oil painter who is among the best-known artists in the Tezos ecosystem. In July 2022, he made his first public appearance at the generative art panel I was fortunate to moderate, during which he shared more about his practice and work. Watch it here.

The most acclaimed collection of his thoughtfully crafted generative works is Garden, Monoliths released on fx(hash). A more unique series, which are now highly difficult to attain and in the hands of true aficionados of his work is Lushtemples, dating back to October 2021.


Kim Asendorf

Still from monogrid 97, by @kimasendorf, Minted Oct 9, 2021

Kim Asendorf is a German artist creating abstract visual systems, conceptually set and realized in algorithms. He’s been widely acknowledged in publications and his work was featured at The Photographers' Gallery in London, Transmediale and Office Impart to name a few.

One of his most prominent collections from 2021 is ‘monogrid’, consisting of 256 real-time animations. To truly experience the series one can interact with the works on this dedicated website and learn more about the project here.


Auriea Harvey

Minoriea v1-dv1, 2021, Digital sculpture by Auriea Harvey @auriea. AR on mobile. Minted Apr 16, 2021

American-born Harvey's work combines digital and physical processes to create sculptures in physical space and mixed reality.  Harvey is a pioneer of the first wave of Internet Art, contributing to the first Internet project commissioned by a major institution (the Guggenheim Museum) and winning the first major prize given for an interactive work (from the SFMOMA).

Most recently, she was curated by objkt.one as part of MATTER & DATA exhibition at Digital Art Mile during Art Basel in Switzerland and has her first major survey My Veins Are the Wires, My Body Is Your Keyboard exhibited at Museum of Moving Image where visitors can collect a fragment of the larger work as an NFT.

Travess

Selection of work by Travess from the Pixel Rugs series

Travess Smalley specializes in computational generative image systems, developing painting software, computer graphics, digital images, books, drawings, and Pixel Rugs. He is an Assistant Professor of Print Media at the University of Rhode Island, and a Critic at the Rhode Island School of Design.

Pixel Rug, originally released as part of a daily series of generated digital images on hic et nunc, is created from a computer script filled with chance actions and random number generators, so no two rugs look the same. This iconic ongoing collection has been featured in numerous publications and exhibitions.


John Karel

Window Still Life 042, .gif by @jjjjjjjjjjohn, Minted Apr 19, 2021

Countless internet users have seen artist John Karel's playful skeleton cartoon character (the artist's GIFs on Giphy have approximately 20 billion views). In 2021, he also released an NFT everyday life series titled Still Lifes, featuring dozens of Window Still Lifes in a consistent arrangement with unique thematic subject references. 

The demand to own a skely from John Karel got so high that he also released a collectible series titled ‘randomly common skeles’ with nearly 38000 skeles collected. The windows series is now a hallmark of the early era, and his art on the blockchain.


die with the most likes

dying in the pacific northwest trash vortex, by @toadswiback, Minted Aug 6, 2021

Mark Wilson, more prominently known under his artistic alias 'die with the most', is an American artist known for his striking neo-expressionist art with satirical pop culture references. His series reflects the evolution of prominent moments in the global newsfeed and the crypto art community. At the same time, the artistic persona on X/ Twitter has developed into a dystopian storytelling narrative of its own.

In addition to the early work, Wilson released his first generative art series on fx(hash) titled ‘glory hole$’ in May 27, 2022.


Mario Klingemann

The Wallpaper is Watching I

Face follows function. A StyleGAN2 experiment by Mario Klingemann / @Quasimondo | Interactive WebGL | Original, Minted Apr 12, 2021

Klingemann is a German artist and a pioneer in the use of computer learning in the arts who was one of the first to explore and push the boundaries of creating coding on hic et nunc. His work has been exhibited at leading museums, and the piece Memories of Passerby I is the first work made with AI to be auctioned at Sotheby's in 2019. I was fortunate to interview Klingemann back in 2020 about his artistic journey, you can read here.

Following the evolution of Klingemann’s work one follows the evolution of AI technology. His work is always one step ahead from the mass market, with a culmination approaching as you read this. That’s what holds his first creations so valuable - they capture a real moment in time, now documented on the blockchain simultaneously.


Manoloide

caza, by Manoloide, Minted May 7, 2021

Manolo Gamboa Naon, known as 'Manoloide', is an Argentinean visual artist and creative coder whose interests focus mainly on exploring generative visual aesthetics based on plastic experimentation with code. His early collection is one of the most aesthetically beautiful collections of code-based art.

In 2021, Manolo would release his works without prior announcements, and persistent collectors returning daily to his profile were rewarded with an opportunity to acquire one of the editions. The aura of mystery and lack of promotion created an organic element of excitement in the discovery.


A. L. Crego

Hypnotic Machine 3, by @ALCrego_, Minted May 31, 2021

A.L. Crego is a self-taught digital artist from Spain known for his hypnotic monochrome GIFs, which he profoundly explores as an artistic medium. There are many prominent series, with 'Hypnotic Machines' being one of the highlights. The series was conceived considering the Visual Mantra feeling that seamless gifs generate and later evolved into Visual Beats, focusing more on the beat side of the seamless gifs.

Lorna Mills

Eighth Wanda, by @lm_netwebs, Minted Aug 30, 2021

Lorna Mills is a Canadian net art and new media artist who is known for her digital animations, videos, and GIFs. Her work explores how "the notion of public decency is anachronistic" featuring images that she pulls from the “non-professional” Internet.

Mills has been widely exhibited since the early 1990s and her work is included in the collections of the Whitney Museum of American Art, Thoma Foundation and the Museum of the Moving Image among others. She has an upcoming solo exhibition with objkt.one during Paris Photo fair in November 2024.


Bird & Worm Society 🐥 🪱

I'm letting you in on an insider secret: The Bird & Worm Society. It's a society of collectors fond of works by qubibi and Iskra Velitchkova, among others. There are no rules, only appreciation.


Iskra Velitchkova

Psychedelic chicken à la mode, by @pointline_, Minted Jun 1, 2021

Bulgarian self-taught computer artist Velitchkova, also known as pointline, explores the boundaries and interactions between humans and machines. Among her series, is one of the all time high generative collections on fx(hash) titled ‘horizon(te)s’. Created with the legendary artist Zach Lieberman, horizon(te)s explores horizons as an organizing principle.

Velitchkova's work has been featured in many publications, exhibitions and galleries, including the Ludwig Museum of Contemporary Art and Sotheby's Auction House. One of her most striking works resembles a chik, which later reappears throughout selected pieces. Thus the "bird" in the Bird & Worm.


qubibi

Selected works from @qubibi leftovers series

Kazumasa Teshigawara, most commonly known under the label qubibi, is a Japanese generative artist and designer.

The iconic leftovers collection by qubibi, featuring code-based microorganisms in a distinct style, is one of the most sought-after collections from the early era. Due to the worm-like shapes, qubibi is the other half setting the Bird & Worm Society in motion.


Finding Relevance: AI, Photography and Politics in the Works of Andreas Gursky and Alkan Avcıoğlu by Aleksandra Art

Thinking Monumental

The Silent Dialogue in the Works of Andreas Gursky and Alkan Avcıoğlu

As AI tools increasingly succeed at imitating reality and more artists embrace them, discussions surrounding originality have been on the rise. The originality I'm referring to is not as much the datasets used - another hot topic about AI "stealing" someone's style or techniques, but rather the relevance and importance of the new pieces created.

To quote John Tuld from Margin Call, "There are three ways to make a living in this business: be first, be smarter, or cheat.I'm half-joking in quoting this, but the reality is that early adopters of new technology are pioneers and celebrated for the creative use cases they bring forward. The challenge of being relevant only increases as more people enter. This phenomenon applies in many fields, and art is no exception. 

Five years ago I wrote a piece titled "AI Artists, What Are You Selling: An Image, A Neural Network Or A Story?". Some artists discussed the creative use of AI to make the final image, while other examples were prominent because of the narrative shaped behind the pieces made. I believe that in a world where society is drowning in generated content, the need to shape artistic relevance that contributes to a broader dialogue is ever-important.

Left: Symphony No. 12 in B Major, Op. 229, Allegro: "Data Dystopia" by Alkan Avcıoğlu
Right: Hong Kong Börse II by Andreas Gursky

So why Andreas Gursky and Alkan Avcıoğlu?

In both cases, artists address the growing societal issues through subtle yet powerful visual storytelling; Gursky's work raises questions of overconsumption, while Avcıoğlu explores our bodies on a deeper level—both physical overpopulation and the individual mental capacity to process an overflowing amount of information.

I discovered Andreas Gursky while pursuing my art business diploma at Sotheby’s. It wasn’t until 2018 when visiting his retrospective - the “Redefining photography” exhibition at the Hayward Gallery in London, that the images strongly resonated with me; large-scale, highly detailed canvases, which often present a somewhat 'empty' feel despite the abundance captured within his frames.

Installation view of Andreas Gursky at the Hayward Gallery, 2018, credit: Mark-Blower

Gursky's focus on consumption, production, and the repetitive patterns of machinery and products speaks to a world where human presence is suggested but rarely the focal point. His photographs, while grandiose, often evoke a sense of isolation or detachment, reflecting on the scale of human endeavours and the spaces we occupy and transform.

Avcıoğlu, on the contrary, came on my radar more recently while exhibiting my own Web3 People Portraits at Paris Photo last year. Born in Turkey in 1982, Avcıoğlu has carved a niche for himself as an outsider artist and a visionary, leveraging his extensive background in film, music, and digital arts to explore new frontiers of expression. His collection, "Overpopulated Symphonies," marks a significant departure from the solitude of Gursky's landscapes. Utilizing AI to create post-photographic masterpieces, Avcıoğlu floods his canvases with dense gatherings of human figures. These figures, reduced to nearly indistinguishable points, create a sea of humanity that speaks volumes about the contemporary condition.

Installation view of Alkan Avcıoğlu at Paris Photo 2023

"Overpopulated Symphonies" is more than just a visual representation of crowd density; it is a metaphor for the deluge of information that bombards us daily. In Avcıoğlu's work, individuals embody thoughts, ideas, and the incessant flow of data we navigate, raising poignant questions about identity, individuality, and our capacity to process and prioritize in an age of information overload.

This thematic divergence from Gursky's portrayal of consumerist landscapes to Avcıoğlu's teeming human masses is striking. Where Gursky's work can be seen as highlighting the spaces left by human activity, Avcıoğlu's use of AI to generate populated scenes emphasizes the overwhelming presence of humanity and our collective narrative. It is a shift from the material to the social, from the empty spaces we leave behind to the crowded spaces we inhabit and the mental landscapes we cross.

Left: Symphony No. 5 in D Major, Op. 116, Presto: "The Trip" by Alkan Avcıoğlu
Right: Kreuzfahrt by Andreas Gursky

My admiration for both artists stems from a shared belief in the transformative power of photography and its potential to influence social change. As someone who has explored the impact of images through my graduate thesis, I find the dialogue between Gursky's and Avcıoğlu's works to be a fascinating commentary on our times. Both artists, in their respective approaches, offer insights into the human condition and the complex world we navigate.

Left: Symphony No. 1 in F Major, Op. 2, Presto: "Heliosphan" by Alkan Avcıoğlu
Right: Atlanta by Andreas Gursky

In conclusion, while Andreas Gursky and Alkan Avcıoğlu may operate on seemingly divergent thematic spectrums, their works intersect in the philosophical inquiries they prompt about our existence and the spaces we occupy. They also set examples of visual storytelling that speaks beyond the image itself without the need of words. Through the lens of these two artists, we are invited to reflect on our place in a rapidly changing world, urging us to find clarity amidst the chaos.

Cover image
Left: Symphony No. 13 in B Major, Op. 235, Allegro: "Collective Echoes"
Right: Bahrain I by Andreas Gursky

Art for Valentine’s: NFT Gift Ideas for Significant Others by Aleksandra Art

Any day is a good day to show your loved ones and friends that you care for them. Expressing it through the medium of art is worth a thousand words, unless it’s through poetry, of course ;) NFTs can travel distances and in our time of post-electronic superhighway, what more convenient format can art take?


I present you with some of the gems found across the web3 rabbit hole, some more experimental than others, that could be a nice present for a special occasion. Enjoy!

“I Love U (and OT)” by Alexander Mordvintsev @zzznah

Self-described as a “Mad Scientist”, Mordvintsev is known for creating DeepDream, a computer vision program that produces works with a dream-like appearance reminiscent of a psychedelic experience in the deliberately overprocessed images. It was quite viral in the early days of AI image processing and iconic for the time.

Mordvintsev’s I Love U (and OT) is made with optimal transport. He also provides a guide to create your own here.

“Love” by Eva Hauschild @eva_hauschild

LOVE on Objkt

Love is a painting made with light and Apple pencil by Swiss Artist Eva Hauschild who works with Analog and Digital tools. This gentle piece makes for a sweet and affordable present.

lifeforms by Sarah Friend @isthisanart_

lifeforms on OpenSea. Mint new here.

If you’re up for the challenge, try an NFT that requires care. These entities created by Sarah Friend are like any living thing that needs regular care in order to thrive. If not properly looked after, lifeforms die. A lifeform that has died will no longer appear in wallets, is not transferable, and cannot be brought back to life in any way. How do you care for a lifeform? Within 90 days of receiving it, you must give it away.

You can gift a Lifeform to your partner and take turns at “custody” - make sure to transfer it to each other no more than within 90 day intervals.

“PEACE FOR UKRAINE” by Stepan Ryabchenko @VirtualStepan

PEACE FOR UKRAINE on Ryabchenko’s website

For those interested in gifting with impact, The “Peace” collection by Ukrainian artist Stepan Ryabchenko is fundraising for his ART LABORATORY Creative Nonprofit Association for the realization of projects to restore and develop the culture of Ukraine.

The first work from Ryabchenko’s “Peace” series was featured in TIME Magazine 2022, the drawing reminds us of the most important thing in such unsettling times – Love.

“Landscape with Carbon Capture” by @zancan

A gift of a blooming garden by one of the most prominent artists on Tezos, Zancan, is another great idea to flourish the feelings. Zancan is a generative artist from Bordeaux, France and prior to entering the digital art realm, he has been a painter and programmer for four decades. By synergizing his former practice as a traditional artist working with oil paint into the medium of computer code, he explores the graphical possibilities of a ‘figurative-generative’ art genre.

You can browse the affordable collection of Landscape with Carbon Capture. For the gift to be extra special, filter the collection for pink (or black) paper variations.

Not Even Love Will Tear Us Apart by LIA @liasomething

LIA’s work Not Even Love Will Tear Us Apart has in focus the ultimate symbol of love: the heart. The latter is suggested through continuously evolving shapes that rotate, move and mirror each other. All forms appear in pairs and the composition’s perpetual motion suggests the former will be separated. However, each pair ultimately remains connected to a shared point.

LIA: “as with relationships between lovers, permanent change happens in the details while the overall aesthetic remains the same”. New shapes overlay old structures, adding ever-increasing depth to the resulting image, therewith building a history that in turn forms the backdrop for yet new formations.

“Non NFT” by @XCOPYART x @Moxarra x @neurocolor

Non NFT on OpenSea

On the higher end of the budget spectrum, if you want a gift that says something like “till death do us part” but be cool about it - this piece made as a collab by three legendary crypto artists may do the trick! Made especially for the Non NFT conference in Mexico City, it is definitely going to be a memorable item in the wallet.

“I Tolerate You” by Willow Pines @pines_willow

I Tolerate You on versum

Let the one you're with know you tolerate them this Valentine's Day. This vox-stitch done work by Willow Pines gets to the point :)

A GIFT by Julie Marie Wade @manyplums and Rose Jackson @in_cloudlands

A GIFT on Infinite Objects

A GIFT is a poem written by Julie Marie Wade and interpreted by Rose Jackson. A perfect way to express your feelings with gentle words and accompanying art. The artwork is part of the HANDHELD POEMS collection, a limited edition video print series by theVERSEverse and Infinite Objects, in partnership with Studio As We Are.

The poem is offered as a Video Print - a video of the artwork as a loop in a custom digital frame by Infinite Objects.

DoodleDeProgramming by Jun Kiyoshi @junkiyoshi

Jun Kiyoshi has an array of animated shapes and forms in his collection including several variations of hearts in different colors and movements. Kiyoshi is a developer for a packaged software development company in Nagoya, Japan who has been also sharing daily his videos via Twitter and Instagram for over four years now to inspire creativity in others.

“Doodle Cats” by Kristy Glas @KristyGlas

Let’s be honest - it’s hard to miss with cats. If your loved one is into cats and they don’t own a Kristy Glas NFT yet, this collection is perfect for picking a unique piece. meow.

“Rhythm Down Below” by Lorna Mills @lm_netwebs

Gift a GIF this V-Day by the GIF queen herself. Canadian artist Lorna Mills is known for her signature style and has been creating digital art since the early 1990’s. She was part of exhibition the Canadian Embassy in Berlin, for Transmediale, “At Play in the Fields of the Lord” at Transfer Gallery, Brooklyn NY, and Dreamlands at the Whitney Museum in NY. Her work was also displayed the month of March, 2016 on 45 screens in Times Square, NYC, every night as part of the Midnight Moment program curated by Times Square Arts.

Friendly Gifts

“Friendship Bracelets” by Alexis André @MacTuitui

With a myriad of shapes and colors to choose from, this iconic collection offers a wide selection of NFTs to pick for your dear ones.

Inspired by the late artist Donald Judd, artist and founder of ArtBlocks Erick Calderon (a.k.a. @Snowfro), collaborated with renowned artist Alexis André (a.k.a. MacTuitui) to bring generative art and ephemeral physical objects together in the form of friendship bracelets.

“Friendship Decagons” by @0xDecaArt

For the more knowledgeable collectors, the gift of Decagon is a good one. Made for your family, friends & frens - Friendship Decagons take your relationship to the next level: onchain.

Just like friends irl, friendship Decagons need to grow together. They start humbly, as all Decagons do. But they’re bound to each other. Paired palettes & matching metadata. You can upgrade your Decagons to the next level together and both friends can pledge DXP (can be earned on Deca.art) to upgrade.

“Hugs on Tape” by LoVid @lovidlovid

LoVid

Sam + Tim on Ryan Lee gallery

Hugs on tape satisfies a visceral need for physical contact in the pandemic era. The artists wanted to distribute hug simulations that can share bursts of joy and intimacy. A call was sent out to friends and family requesting recordings of hugs with someone in their pod. The recordings captured tenderness and love among those spending more time than ever together, and a choreography of closeness inside the familiar frame of video, animation, and zoom calls.

The series is created with tools ranging from handmade audio/video synthesizers to smartphones and digital animation software. All the patterns and colors in hugs on tape are made exclusively with hardware, analog synthesizers and other analog instruments. Although some were found or borrowed, LoVid’s handmade synthesizers are the primary instruments used in LoVid recordings for over a decade.

Collecting Crypto Art and NFTs: Collectors Spotlight by Aleksandra Art

Down in the web3 rabbit hole things move faster than in the real world. During my humble three years in the scene I've witnessed more projects and legendary collections built than over a decade in the ‘traditional’ art market. What makes it so different? To better answer this question I’ve spoken to some of the old-timers (by the market measurements) who have been collecting regardless of the market cycle, with an interest in the long-term success of the artists they support.

Untitled by William Mapan, minted Mar 4, 2021.

I’ve asked for a group collectors to share some of their favourite works, and answer questions that can help guide aspiring collectors when tip-toeing (or cannonballing) into the world of crypto art. This survey may also serve as an insight for artists to better understand the thought-process of devoted patrons when it comes to acquiring new work.

Fanny Lakoubay @Flakoubay

A crypto art collector, advisor and activist since 2018.

Highlights from the collection:

1. Tokenized Cloud Sphere One (YYZ to MCO) by  Martin Lukas Ostachowski @MLOdotArt
This is a 2018 unenhanced, computer-aided photo collage, part of the Tokenized Cloud Sphere installation of 12 cloud spheres, which were created from photo series taken on passenger flights across North America. The photos were stitched into panoramas using software and lightly retouched on the edges to allow smooth connections into a sphere.

2. Attempt 0 by Ania Catherine @aniacatherine and Dejha Ti @dejhati
Attempts is the first lot from Ania Catherine and Dejha Ti’s Privacy Collection. Attempt 0 is one of eleven unique works the series of choreographic attempts to establish online privacy (real or imagined). In this work, the body inhabits and hides inside a digital shell in the form of a translucent glass avatar, speaking to the pseudonymous nature of web3—pfps, usernames, wallet addresses—where one can ironically be known for being unknown.

3. Here and Elsewhere by Brendan Dawes @brendandawes with music by Sion Trefor @SionTrefor
“I like people who dream or talk to themselves interminably; I like them, for they are double. They are here and elsewhere.”
Albert Camus.

When things are forbidden it takes dreamers to venture into the unknown and challenge perceived norms. Inspired by an Albert Camus quote, dreams and deliberate actions give rise to new forms, structures and possibilities where there was previously darkness.

4. Atom 1259 (89 seconds Atomized collection) by Eve Sussman  
89 seconds Atomized shatters the final artist's proof of Eve Sussman's acclaimed video 89 seconds at Alcazár into 2,304 unique blocks, to create a new artwork on the blockchain. An experiment in ownership and collective interaction, the piece can be reassembled and screened at will by the community of collectors.

What excites you when selecting artists’ work, how do they make their way into your collection?

The story of the artist, the concepts behind the works, and the level of innovation! I like to know the story behind the artists I collect (connect w them whenever possible), I am not looking at a particular genre or aesthetic. Conceptually innovative works are for me important to highlight!

How do you discover new work?

Artist residencies, curated shows and platforms (small ones like verse.works or vca), twitter - rarely.

Is there any advice you'd give to someone interested in collecting art on the Blockchain?

DYOR and listen to the artists.

Georg Bak

I am very passionate about digital art and made my passion into my profession. Besides advising clients I am also a collector myself. I am collecting vintage digital art from the 1960s as well as NFTs. I also use my LinkedIn account since several years to share interesting news and facts about digital art, NFTs and the metaverse to help people to get more familiar with the topics.

Georg Bak keeps his collection private, so here is a photo with Aleksandra Art (myself) at Boreta AV at Art Basel Miami 2022.

How do you go about collecting artists’ work?

Many artworks I choose to collect have a historical relevance. I also collect art from befriended artists. When I look at digital art, I am interested in technical or visual innovation as well as complexity. What excites me most are artworks which are entering the canon of digital art history because they are the first of its kind. 

How do you discover new work?

Quite often I get recommendations by artists, curators or collectors. Sometimes I am also checking some accounts of other collectors.

Is there any advice you'd give to someone interested in collecting art on the Blockchain?

Collecting is a very personal thing; you look at someones collection and you know who that person is. When I advise collectors they are mostly interested in new trends or NFTs as an investment. 

Maria @marygeorgie1

I have a background in traditional Finance and fell down the genart rabbit hole about a year ago. While I have always been an art lover, the (to me) new concept of genart blew my away! I love collecting, researching about artists and new developments in the space ever since!

Highlights from the collection:

1. horizon(te)s #396 by Iskra Velitchkova @pointline_ and Zach Lieberman @zachlieberman
For this collaboration, the artists focused on horizons as an organizing principle. What are the edges and borders of our vision and what do we see there?

2. Aspergo #33 by dmarchi @dmarchi___
A practice on texturing abstract paintings. Up to three techniques are applied by the painter to compose each image.

3. Anticyclone #479 by William Mapan @williamapan
High pressure, rotation, air flow… The "Anticyclone" series is an artistic exploration and interpretation of those concepts. The rendering borrows its aesthetics from traditional and organic media like paper and crayons, to lend an analog/archival look. "Can a computer draw like a human?" The question is asked and challenged once more through "Anticyclone".

What made you select these three works to highlight?

Zach Lieberman: I love Zach Liebermans works and I knew I needed to get a piece from his first longform project. I think he has a unique way in showing the interplay of colors and transitions.

Dmarchi: Dmarchi has a few great very painterly looking projects on fxhash with brush strokes that look like real paintings. Aspergo has a very impressionist aesthetics to me. I loved his works from the beginning and am excited to see what comes next.

William Mapan: Anticyclone is probably my favorite longform project of all. I love how William Mapan creates these incredible different textures and colors!

Is there anything particular you look for when picking a new addition to your collection?

It is probably more a feeling than a theme I am looking for in a collection or a piece. I am also really interested in the concept, art historical references and the process behind the work, which is why I love it when there is some more information/interview or similar provided by the artist.

How do you discover new work?

Mostly via Twitter and collections from people I am following. I recently also detected the discovery tool from RCS, which seems promising. I also try to follow new drops on fxhash and also artblocks.

Is there any advice you'd give to someone interested in collecting art on the Blockchain?

Starting to collect can be pretty overwhelming as there are so many platforms and art already available. I therefore think that Tezos is a great way to start collecting, as costs are relatively low compared to e.g. ETH and collecting can be a bit more playful with less pressure in the beginning. If you are interested and spend some time in the space, follow certain people and platforms you will get a feeling for the space pretty quickly.

ballislife @delta_alpha_ohm

Collectooor, rabbit hole researcher.

Highlights from the collection:

1. Positive tension by FEELS @FEELSxart

2. Organized Glitch .::....: by Itzel Yard @ix_shells

3. 🐥🪱 - A bird as if a worm as a bird as a worm | for Bird and Worm Society by Iskra Velitchkova @pointline_

4. Untitled (Genesis) by William Mapan @williamapan

I search for value via research and base it off of intuition, aesthetics, as well as cultural and historical importance

How do you discover new work?

Twitter, frens, Discord and word of mouth.

Premala @premalamatthen

Art Market Advisor with a Finance background, turned Web3 Investor/ Collector

Highlights from the collection:

1. Bitchcoin #02.148 by Sarah Meyohas @SarahMeyohas
Predating the launch of Ethereum by five months, in February 2015 conceptual artist Sarah Meyohas released the first tokenization of art on the blockchain: Bitchcoin.

2. Doodle #6849 by @doodles
A collection of 10,000 NFTs (non-fungible tokens) that are made up of hundreds of exciting visual traits designed by Burnt Toast.

3. Chromie Squiggle #874 by Snowfro @ArtOnBlockchain
Simple and easily identifiable, each squiggle embodies the soul of the Art Blocks platform. Consider each as a personal signature by Snowfro as an artist, developer, and tinkerer. 

4. Anticyclone #279 by William Mapan @williamapan
High pressure, rotation, air flow… The "Anticyclone" series is an artistic exploration and interpretation of those concepts. The rendering borrows its aesthetics from traditional and organic media like paper and crayons, to lend an analog/archival look. "Can a computer draw like a human?" The question is asked and challenged once more through "Anticyclone".

5. CloneX #6969 by @RTFKT and Takashi Murakami @takashipom
RTFKT, together with Takashi Murakami, brought his iconic designs to the 20,000 NFTs. From Eyes, Mouths, Helmets to Clothes, these avatars will have a special Murakami Drip property defined on the blockchain.

6. First NFT #9669 by 0xDEAFBEEF @_deafbeef
First satirical on-chain generative text NFT about NFT firsts. Don't sleep on this historic collection.

7. Contractions #219 by Loie Hollowell
Loie Hollowell’s first-ever NFT project, titled Contractions, comprises 280 unique, generative works that center on the artist’s embodied experiences with childbirth. Based on Hollowell’s Split Orb sculptural paintings, which she began creating following the birth of her second child, the Contractions NFTs feature two bifurcated orbs situated one on top of the other, with the top orb representing the artist’s brain and the lower orb signifying her pregnant belly and cervix…

What made you select these works to highlight?

All examples of historic blue-chip art and collectibles that I love and am honoured to possess.

How do go about adding new art to the collection?

I need to love the work, then it is about other value drivers such as historic significance, cultural significance, technological significance, etc > there are 100 factors, the last layer of analysis is investment value - I would like to say monetary value is irrelevant, but I do want the work I own to be relevant for the wider market as well. I could go on endlessly about this topic because I specialise in Collectibles as an Alternative Asset.

How do you discover new work?

Twitter, Instagram, Art fairs and events

Is there any advice you'd give to someone interested in collecting art on the Blockchain?

Check the integrity of the contract, validity of IP, security of storage - lastly, get a hardware wallet

Colborn @co1born

Presently, I find myself thinking about the global monocultural and assorted means to effectuate broad structural and systemic change. I am broadly and gravely concerned for our collective future and believe there is a massive need for new leaders and institutions to emerge which incubate alternative ideologies. Fighting my own existential dread, I try to leave as much of myself onchain as possible. 

1. The Great American Supernova (still from gif) by @ROBNESSOFFICIAL

2. Death of an AI by Leo Isikdogan @leoisikdogan

3. THIS ISN'T EVEN ART by Max Osiris @maxosirisart

4. Andrew Jackson on Acid (still from gif) by @Zebbler

5. r/EarthPorn/Night-River by zaza 

6. Self-reflection by Mikedotalmond @mikedotalmond

7. Could words be the art by Brandon Walsh @NFTWannabe

What excites you in the works shared? How did they make their way into your collection?

I find there is a collective exasperation in the game we have constructed for ourselves.  i am witness to (and perhaps facilitating) a tremendous escapism from this reality.  i am equally witness to some brilliant and passionate individuals who push against this tide.  i think these works are precursors or warning signals to what will inevitably be a colossal collapse of society. our society is one of spectacle, in which authentic social life has been replaced by its representation, interactions dictated strictly by the commodities we are perceived to hold.  this curation is more reflective of my current mood than of the collection.  im not sure these works excite me, but i purchased them because i thought they were prescient, and it was nice to know other people were experiencing and reflecting similar feelings.

Is there anything particular you look for in a work? How do you make your decisions to collect? 

Yes, but to describe it would really be futile because it is a constantly shifting ever evolving feeling that revolves around my growth as an individual. It's almost like I don't know what I'm looking for until I find it.  experientially i would describe it as hearing a song from your past, one you haven't heard in a while, and being immediately transported back to that moment in time, except the experience is in reverse. I look for works that transport me to the edge of the future or trigger and allow me to extrapolate on an ontology that posits how we got there. Because when I understand how we got there, I can reorient my present to reflect this new information and I feel myself growing. 

How do you discover new work? 

I spend a lot of time in the MOCA Community Collection, which is a collection of 9000 artworks contributed by our 3600+ users.  i enjoy it because it removes artworks from a market context, is randomized every 24 hours, and is aggregated based on the preference of other collectors. This is where I go when i'm looking for something that catches my eye for raw discovery.  

Is there any advice you'd give to someone interested in collecting art on the Blockchain?

Sure I have plenty of advice, feel free to contact me to discuss. The best advice I ever heard was from artnome and paraphrased that is "buy art you love, from artists you want to support, at prices you can afford, and you'll never be disappointed" or something like that.

Debussy @Debussy100

I love collecting beautiful works of art

hello admin dm me by XCOPY

Collection: JEB9

What can we find in your collection?

Some of these are NFT artists that have become "bluechip" and some are up and coming artists that I think have a bright future in the space. I found them by interacting with them and looking to see if they're in the NFT space for the long-term and not to just make a quick penny.

How do you discover new work? 

Twitter

Is there any advice you'd give to someone interested in collecting art on the Blockchain?

My advice would be to take your time and talk to the artist. Try to find an artist that is doing something different and that is here to help grow the NFT space. Also, don't fall into the twitter hype machine when you see bigger names pumping an artist. Finally, always listen to your gut.